While this turn towards objects could be misunderstood as a simplistic focus on gratuitous things torn from all context, in fact it has more to do with shifting focus towards the alluring qualities of things-in-themselves, while at the same time, realizing their fundamental inaccessibility. Consider a Bengal tiger, Kubrick’s monolith, a Mexican crystal cave, a blood-comb jellyfish: each has an inaccessible interior life which is not reducible to bundles of external relations. For architecture, this does not mean that relations do not exist, but rather that architectural entities might relate at a distance without literally flowing into or becoming one another. In any case, architecture would cease to be a hollow conduit of flows and instead become a nesting of objects within objects. This points to a new form of coherence in architecture, which theorist John McMorrough has spoken about as the space “between collage and emergence,” where objects simultaneously retain discreteness, but enter into...